Tuesday, December 3, 2019

What makes Emily Dickinson Essay Example For Students

What makes Emily Dickinson Essay Dickinson is known for the usage of emotion in her poetry. One topic she wrote about was death. Early on in Emily career she was capable of pressing her reflections on the precise moment of death into remarkably concise expressions, stated Porter(67). In many poems, Dickinson doesnt Just talk of death, she personifies it. An example is the poem Because I could not stop for Death. Dying is compared to an unexpected ride in a horse-drawn carriage(Daniel 391). Also, Dickinson thought the suffering involved in personal relationships captured the impulse of poetry(Chase 191). This idea of pain expressed in the poetry of Dickinson is seen in the poem Heart! We will forget him. In the following stanza:When you have done, pray tell meat I may straight begin! Haste! Lest while youre lagging remember him! Monsoons 5)We can tell that she suffering from the memories of a past lover. Dickinson wants her heart to forget about him, so that her mind may do the same. All her life, Dickinson was never married, but spoke very often of a lover in her poetry. However, attempting to relate any of her love poems to a particular man will always be precarious(Chase 153). We will write a custom essay on What makes Emily Dickinson specifically for you for only $16.38 $13.9/page Order now Although many of her poems speak of a passion for a man, it may not have necessarily been about her. Dickinson could have been writing about any womans fife in a certain occasion. Pre-appointed pain was Dickinson favorite area of feeling, how one chooses it and the consequences of the choice(Adams 464). In addition to Dickinson themes, her influences came from certain subjects and events. One of the subjects that emerged in her writing was religion. Dickinson was involved with Puritanism all her life. She attended the Mount of Holyoke Seminary School, which specialized in Puritanism. However Dickinson attended only one year because she longed for spiritual nourishment, not for the dogmatic belief and tortured conscience(Edison, Religious Influences. N. P. ). In other words, Dickinson didnt like to make moral Judgments, instead she focused on the limited quality of human action. For example, Nathaniel Hawthorne often described the damage of sin, and what it had upon an individual. Dickinson however was a realist, who was more interested in psychology. She wrote about situations such as, at what point did one reach heaven, and studied views on how grace was given. Aside from religion, the Civil War also influenced Dickinson writing. Over half of her poems were written during this time and many believed this is what gave her poetry the tense feeling(Meltzer 44). Dickinson deploys imagery of captivity in the poem I Never Hear the Workspace. In the following lines: I never hear of prisons broad/By soldiers battered down/But I tug childish at my bars Only to fail assignations 89), Dickinson is identifying herself with a soldier, who is in a sense trapped in the war, as if Hess trapped behind bars. Dickinson allows her imagination to run wild, and this is what attracts many readers. The subject of religion and the event of the Civil War influenced Dickinson poetry tremendously. Dickinson unique styles of mechanics are also what separates her poetry from the est.. Dickinson did not follow the rules of punctuation. She often capitalized random words that were of importance to her. Below are the third and fourth lines from the poem Of nearness to he sundered Things: The Soul has special times-Nine Dimness looks the Oddity-Monsoons 153). If an editor were to look over these lines, the first thing they would alter is the incorrect capitalization of Soul, Dimness, and Oddity. Also, Dickinson used dashes throughout her poetry. This device gained rhythm and emphasis, stated Dickinson(Meltzer 30). However, the editors did not view it that way. In fact in order to get her work published she was told she needed to change her way of writing(Daniel 377). Dickinson later explained herself to a literary critic. When I try to organize my little force explodes, she told Thomas Higgins(Bloom 56). .u2ca5f649c53b02fc76c7276c5c4a9aff , .u2ca5f649c53b02fc76c7276c5c4a9aff .postImageUrl , .u2ca5f649c53b02fc76c7276c5c4a9aff .centered-text-area { min-height: 80px; position: relative; } .u2ca5f649c53b02fc76c7276c5c4a9aff , .u2ca5f649c53b02fc76c7276c5c4a9aff:hover , .u2ca5f649c53b02fc76c7276c5c4a9aff:visited , .u2ca5f649c53b02fc76c7276c5c4a9aff:active { border:0!important; } .u2ca5f649c53b02fc76c7276c5c4a9aff .clearfix:after { content: ""; display: table; clear: both; } .u2ca5f649c53b02fc76c7276c5c4a9aff { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2ca5f649c53b02fc76c7276c5c4a9aff:active , .u2ca5f649c53b02fc76c7276c5c4a9aff:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2ca5f649c53b02fc76c7276c5c4a9aff .centered-text-area { width: 100%; position: relative ; } .u2ca5f649c53b02fc76c7276c5c4a9aff .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2ca5f649c53b02fc76c7276c5c4a9aff .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2ca5f649c53b02fc76c7276c5c4a9aff .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2ca5f649c53b02fc76c7276c5c4a9aff:hover .ctaButton { background-color: #34495E!important; } .u2ca5f649c53b02fc76c7276c5c4a9aff .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2ca5f649c53b02fc76c7276c5c4a9aff .u2ca5f649c53b02fc76c7276c5c4a9aff-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2ca5f649c53b02fc76c7276c5c4a9aff:after { content: ""; display: block; clear: both; } READ: What do the poems "Churning Day" and "An Advancement of Learning" tell us about Seamus Heaney's childhood EssayEvery editor she came across had one goal, and it was to make her writings traditionally poetic(Daniel 377). Along with Dickinson incorrect use of punctuation, she was also known for using a variation of literary devices. Slant rhyme(close but not exact rhyming sounds) added a great deal of shock toward Dickinson poems. This literary device is shown in the mom The Soul selector own society. In the following lines:level known her from an ample incantations One-Then close the values of her attentions Stone -(Daniel 378)One and Stone have a slant rhyme. Dickinson also wrote a lot of her poetry using hymn meters. A hymn meter differs from a traditional meter by counting syllables, not feet. Dickinson however took liberties with the meter. She used enjambment the breaking of a line where there is no natural or syntactic pause(Campbell, Common Questions. N. P. ). For example, in the second stanza of I cannot live with you, she rites:The Sexton keeps the key to-putting pour life- His Porcelain -Like a cup- Monsoons 62). If Dickinson were traditionally using hymn meters, she wouldnt have marked the first, third and fourth lines with dashes and their would be no pauses. Dickinson own rules of punctuation and literary devices, is what gave her writing such a personal feeling. Out of the many characteristics in Dickinson poetry, her emphasis on emotional pain, the subjects and events that influenced her, and her unique use of mechanics, is what capture reader. By Just reading a couple of her poems, one could infer hat she was a personal writer.

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